But its Shannon whose wildcard intensity turns Frank & Lola into something more than the scripts collection of hardboiled implausibilities. Then, theres no turning back. In that Lola, the victim in question, doesnt need anybody to do away with her abuser, nor does she even need him driven forever from her presence. Frank, a chef in Las Vegas, meets and falls in love with Lola, a mysterious young woman who is new to the city. After Alan shows him a video of Lola in bed with another woman, Frank switches prey and follows the woman in the video. Not Rated. To Lolas surprise, Max stops her and convinces her to stay, by praising her never-give-up spirit and sincerity. Poots makes nearly as strong an impression, but unfortunately this is not her movie. Frank & Lola can squarely be put into the category of a sub-genre of film which could only be called modern noir, which retains the features of the dark style of filmmaking from the 40s, but takes them beyond the trappings of the way neo-noir paid tribute in the 80s and 90s. Arquette and Devos contribute sharp cameos of women with dubious agendas of their own, and the smaller roles are all cunningly cast. Matthew Rosss Frank & Lola is about an adult male grappling with the mind-blowing revelation that his girlfriend had a sexual life before him. Frank is a chef hoping to reclaim lost potential and open up his own restaurant in Las Vegas, while Lola is an aspiring fashion designer who has just been offered a job opportunity most would kill for. I'd been living with the script for eight years at that point, and my experience with Las Vegas was probably pretty typical of most people who don't live there hotels on The Strip and staying up all night in casinos. Upon her arrival, she bumps into Max, the handsome boss cocky (farm manager), who warns her to stay away from Hazel. What could take been a bad moving picture if others were in their roles became something adequate. Chris is a B.A.H. His obsessive personality gives way to a dangerous masculinity, one that cannot seem to focus on the plight of his lover, but rather is aimed at the only thing it sees forward: revenge. One which is on the up and up thanks to her ability to socialize, simply it hasnt been all daisies and macaroons. As Lola pushes through each day to do her best, her confidence starts depleting gradually. Frank is a talented and driven chef working in Las Vegas whose life is thrown into a tailspin after he meets and falls passionately in love with Lola, an aspiring fashion designer. A few months later, she quits working with Calder and asks Lola for a second chance. The films heightened look is incredibly polished by indie film standards, making the proceedings come off as somewhat perversely magical, which is wonderfully at odds with the intensity of the plot. Ian McEwan's 2001 novel Atonement opens with a description of what it's like to invent a world. Continue with Recommended Cookies, Chris is a B.A.H. It's certainly not a date movie, and all the better for it.[18], Deadline's Anthony DAlessandro: The former Variety reporter and Filmmaker editor has crafted a complex psycho-sexual love story here, with hues of Jacques Audiard's The Beat That My Heart Skipped, Francis Ford Coppola's The Conversation and Bernardo Bertolucci's Last Tango in Paris, among other titles.[19], The Boston Globe included the film in its "Finding Winners at Sundance" wrap-up, with critic Ty Burr saying that: This feature debut from writer-director Matthew Ross teases intriguing interference patterns out of its various genres, moods, and locationsIt's great to see a Vegas movie without a single scene set in a casino, and when Frank & Lola hops the Atlantic to ParisRoss uses the Marais district and the Place des Vosges with a similarly fresh and unnerving eyeRoss is one to keep an eye on. The problem is that, despite being played by two charismatic and more-than-capable actors, the title characters never click in the way they need to. The mystery usually associated with the genre grows, but once the plot reveals itself more evidently,Ross film starts to feel more like a look at a complicated romance. Under the incompetent guidance of writer-director Matthew Ross, they go down for the count without any notice. Catch Me If You Can Plot Synopsis. Once there, Alan becomes suspicious of Frank and deduces that Frank never attended Northwestern University and is in reality there to kill him. When Frank discovers a one-night stand Lola had in a hotel with an unknown man from out of town, he storms out feeling angry and betrayed. Frank flies back to Las Vegas, and after having sex with Lola, informs her that he has learned the truth from Alan and announces that he is leaving her. Refresh the page, check Medium 's site status, or find something interesting to read. As we do, we start unravelling the chest-thumping masculinity which drives Frank in how he responds to Lolas revelations of abuse. Click the AdBlock Plus button on your browser and select Enabled on this site. DoesFrank & Lola present a better take on relationships under the shadow of abuse than other similar films? As we all know, Hollywood is a superficial industry and a cute face and existence likable on set up can keep a adult female working for a hell of a long fourth dimension. Theres no mistaking Frank & Lola as a genuinely deep love story. Yes, Lola also manages to acquire Vaughn Family Wines as a client, but not without overcoming several hurdles. Written (in German, with English subtitles) and directed by Tom Tykwer; director of photography, Frank Griebe; edited by Mathilde Bonnefoy; music by Tykwer, Johnny Klimek and Reinhold Heil; set designer, Alexander Manasse; produced by Stefan Arndt; released by Sony Pictures Classics. Starring: Michael Shannon, Imogen Poots, Michael Nyqvist. A young daughter, a higher pupil at the time, named Lola meets this . With Frank & Lola, writer/director Matthew Ross has made a truly great piece of work. A few days after his talk with Hazel, he takes Lola to visit the winery, and she is elated to finally return to what she loves doing the most. Frank explains that he made "that psycho" (Alan) leave her alone forever, and attempts to rekindle their relationship. Not just that, they also select Lolas sketch of Sybylla as their official bottle logo. However, Lola's reflection can be seen in one of the doors, watching Frank, leaving the status of their relationship ambiguous. I started Wherever I Look back in 2022 and take aimed to be that friend who loves watching various forms of media and talking near it. A steamy neo-noir that builds considerable suspense while throwing a succession of narrative curves, it might have been called Sex, Lies and Videotape had not the title already been takenall three are major plot elements, although the VHS element has been updated. Lola (Imogen Poots) | Frank (Michael Shannon). To read our full stories, please turn off your ad blocker.We'd really appreciate it. His general surliness turns into something more sinister when he sees Lola talking at a bar with Keith (Justin Long), a gregarious young businessman. 2023 Film Inquiry. The first sequence of the movie revolves around Frank taking part in a bizarre quiz show where his various crimes and the punishment he received for them are listed. We want to hear what you have to say but need to verify your account. The replica enthusiastically agrees, and the . Directed by Stuart McDonald, it revolves around Lola, a dynamic Los Angeles-based wine executive, who travels to the Australian farmlands to meet Hazel Vaughn, a potential client. Lola soon finds out that farm life is not as easy as she thought, and struggles to learn the chores and fit in with her fellow ranch hands Sam, Breeze, and Kylie. Frank realizes shes a girl in danger of causing him constant misery, especially when she rarely comes home at night on time, and sometimes not at all. As Matthew Ross new film Frank & Lola opens, Michael Shannon is in bed with Imogen Poots. None of it makes any sense, and if you think you know how it ends when it fades to black, do send me a postcard. Just what well-nigh the head? However, Frank & Lola, for all its focus on the idea of revenge, feels like the perfect antithetical response to an industry bloated with rape-revenge fantasies in the guise of horror and thriller films. [24], "Sundance Institute Completes Feature Film Lineup For 2016 Sundance Film Festival", "Berlin: Arclight Launches Robert Halmi-Backed 'Frank And Lola' (EXCLUSIVE)", "Sundance Slates Composers and Filmmakers for Music and Sound Labs", "Danny Bensi & Saunder Jurriaans to Score 'Frank & Lola', "Sundance Premieres Include Films From James Schamus, Spike Lee", "Universal Lands 'Frank And Lola' For $2M+ Sundance", "Michael Shannon & Imogen Poots Romantic Noir 'Frank & Lola' Sets December Date", "Michael Shannon falls for a femme fatale in smoldering Frank & Lola trailer exclusive", "Frank & Lola review Michael Shannon sizzles in twisted romance", "Sundance Review: 'Frank & Lola' Starring Michael Shannon, Imogen Poots, And Michael Nyqvist", "Matthew Ross sends Michael Shannon down a rabbit hole of sex, lies, and depravity", "First Look At 'Frank & Lola' Starring Michael Shannon & Imogen Poots Sundance Video", "25 Filmmakers & Actors That Broke Through At The 2016 Sundance Film Festival", "The 15 Best Films at the 2016 Sundance Film Festival", "Best of Fest: Sundance 2016's Top 10 New Voices", https://en.wikipedia.org/w/index.php?title=Frank_%26_Lola&oldid=1137699558, This page was last edited on 6 February 2023, at 00:33. Dec. 8, 2016. B-, Credit: Eric Koretz; Paladin; Courtesy Everett Collection. Shannon is, as usual, superb, turning Frank into a believably scruffy neo-noir hero with a rough past: he left home when he was just 16 and has been working in kitchens ever since, and there are intimations of abuse in his past, which partly (if not fully) illuminates his Paris crusade. But due to the lack of clientele, she is unable to get her ideas off the ground. For Lola, with Poots charm and expect of innocence, it is difficult to not empathize how fifty-fifty a sort of recluse like Frank didnt get snagged. Copyright 2023 Meredith Corporation. the Terms and Policies, and to receive email from Rotten Tomatoes. He's got an eye, a strong p.o.v, and the movie has many perceptive observations about the self-destructive perils of possessiveness, ownership and holding on too tight.[15], The Hollywood Reporter's Stephen Farber called Frank & Lola a haunting dissection of male jealousyOther films have focused on sexual jealousy, but Ross and Shannon probe deeper than most into the poisonous, compulsive nature of male suspicionRoss has described Frank & Lola as a neo-noir, and it does deserve comparison with similarly dark character studies (such as Nicholas Ray's In a Lonely Place) from Hollywood's golden age of noir. Please reference Error Code 2121 when contacting customer service. This one will likely find an appreciative audience and makes for a promising debut for writer/director Ross.[21], Ross and Frank & Lola were also included on a number of "Best of Sundance" roundups. He follows the man outside and beats him in a fit of rage. Running time: 88 mins. This never changes the fundamental fact that Frank & Lolas message, if there is one to take away, is that a womans personal tragedy is hers to bear; if she requires anything, its understanding and not a man to take on that tragedy as his own. One night, she confesses shes been raped by an old French lover named Alan (Michael Nyqvist) she knew during her student days in Paris. The female in this film, as in too many genre movies, is just the girl, who alternates on cue between manipulative tramp and heartbroken virgin. Impressed that Frank is a "fan", he invites him back to his place for a drink. Terms and Policies Slowly, both women manage to score a few patrons for Salud Imports and start attending events. The biggest way in which Frank & Lola manages this is by not wasting a great amount of time explaining much of anything regarding plot. The movie is at its best when jealousy is welling up in Frank, and Lola is feeling a combination of shame and resentment at the notion that she's responsible for his anger. Amazed at how much he knows about her and the Vaughns, Lola asks him about his past, but he strangely evades her questions and just shares how he was a rather rebellious youth who mended his ways after his mothers death. And its almost enough to make it work. As we witness Frank go through a tumultuous period of Should I or shouldnt I? and border on violent action, he soon comes to understand the cost of his masculinity. We dont know how they met or how long theyve been together, we just know that Frank is wild about this woman whose sparkling saucer eyes and flirtatious, playing-with-fire smile are masking secrets he wants to knowor thinks he wants to know until he actually knows them. The character of Lola illustrates how a woman is perceived in light of the effects of sexual abuse on her personality. Shannon is Frank, a talented chef who loses his job at an upper-end Vegas restaurant at just about the time he meets Lola (Imogen Poots), a would-be fashion designer whos also looking for work. Lola (Imogen Poots) | Frank (Michael Shannon) Storyline. The poster is so sleek and shiny, echoing the kind of romantic tales audiences like to get lost in. Entertainment Weekly may receive compensation for some links to products and services on this website. Moreover, great cinematography and deft editing make the entire experience incredibly beautiful while avoiding the sort of pretentiousness which usually accompanies such efforts. As a result, the film exists as an unwavering character piece about a pair of lovers whose complex relationship with love will almost certainly be their undoing. Director and writer Matthew Ross brings his debut feature to the screen with Frank & Lola. Lets find the answers to these questions as well as more about the touching ending of A Perfect Pairing. SPOILERS AHEAD. Based off the life we see him take, his enjoyment doesnt necessarily come from people. All rights reserved. The Latest Podcast #116: Films of Steven Soderbergh, Magic Mikes Last Dance, Horrific Inquiry: MY BLOODY VALENTINE (2009), THE LAST OF US Season 1 Episodes 2-5: Whoa, Were Halfway There, LITTLE DIXIE: Little Gas In Grillo Grit-Pic, YOUR PLACE OR MINE: A Generic Comedy That Promises More Than It Delivers, ALL QUIET ON THE WESTERN FRONT And NARVIK: Germany And Norway Made Very Different Films About War And Trauma, STOLEN YOUTH: INSIDE THE CULT AT SARAH LAWRENCE: A Nightmarish Documentary Of Pain, Trauma And Hope, The Everlasting Beauty Of CHUNGKING EXPRESS, OFF THE RAILS: A Moving Ride On the Tracks Of A Troubled Life. After a meeting with the restauranter in Paris, he visits Claire who confirms Lola's side of things. If Alice wins, she can ask anything she wants of Lola. "[3] Ross believes the Vegas setting made for a better film, adding, "Yes, it took eight years to get the film made, but I also got to really refine the script. Frank is a talented French chef and Lola is just starting her career as a fashion designer. Pam Grier reflects on her most iconic roles, from. A love-sick guy who allows himself to fall for the wrong girl and then gets led down a morally rocky path toward oblivion. Regal 45 were here. Directed by Joe Carnahan, this new sci-fi thriller is a fast-paced and fun take on the time-loop genre, that also answers the age-old question of action hero movies: How the hell did he do that?. Notwithstanding, then we encounter her mom, hear about her by, and we are reminded that as much every bit she is Franksouthward girlfriend, she has a life of her ain and has had a life before coming together him. Frank Calvillo 211 Followers Follow More from Medium Alvin Ang in Mind Cafe They excel as lovers in this tightly-wound psychosexual love story that has elements of the best of Eyes Wide ShutFrank & Lola has some of that film's noir-esque aesthetic, too, with hints of Michael Mann's night-time city lookCarried by two accomplished performances, and despite a tight 87-minute running time, this is a rich saga, bathed in atmosphere that disturbs as much as it engrosses. Is it part of the case yall build to say these two are maybe underrated? When Lola receives a job as a fashion designer, Frank becomes jealous of her boss, Keith Winkleman, even though Keith makes it clear that he does not make a habit of sleeping with his employees. "I have this Forrest Gump-ian way of touching something and it becomes a hit!" Back at Waratah Station, Lola goes for a night out with her new friends at the local pub, but they end up getting into a hilarious bar fight, only to be rescued by Max later. As just noted, the master issue is in that location isnt a class A performance from this moving picture. Featuring shades of Bret Easton Ellis, Charles Bukowski, and Raymond Carver, Frank & Lola proves an enthralling and intoxicating love story from its upfront beginning to and ending which proves a mix of melancholy and hope. Frank has to find some way to discover where the truth lies, and whether his relationship with Lola can be saved. Its obvious that the reason why they all got mixed up in a debacle like Frank & Lola in the first place was an expense-paid trip to Paris. Frank discovers that Lola has been seeing someone elsea wealthy French playboy (played by Michael Nyqvist)and when he gets the chance to go to Paris to audition for a job as a chef in a new high-end restaurant, he plans a detour to face his rival and do what jealous noir patsies have been doing for ages: kill for the dame. Below are steps you can take in order to whitelist Observer.com on your browser: Click the AdBlock button on your browser and select Don't run on pages on this domain. Initially I was hesitant. She credits him with jump-starting a pattern of self-destructive sexual behavior, which includes an impulsive one-night stand at a hotel with a guy she admits means nothing to her (Frank is devastated). Frank, a chef in Las Vegas, meets and falls in love with Lola, a mysterious young woman who is new to the city. Regardless, Lola approaches her and pitches her ideas, but the latter turns her down as her company is relatively new and still needs a license. These and other everyday pieces of a life take on greater significance and heartbreaking meaning throughout the course of "The Father.". This friction between the actors gives the film an uneasy texture that suggests that Frank and Lola are intoxicated by their resentment of one another, but Ross doesnt explore it. Copyright Fandango. Ross tells a romantic story in Frank & Lolaof two people hurting each other while only try to love the other as best as they know how. Admittedly, when it comes to young actresses there is always this question of were they hired because they were pretty or hired because they are talented. With: Franka Potente (Lola), Moritz Bleibtreu (Manni . Frank, though not necessarily said to the states, is alone and lone. [4] In February 2015, Arclight Films announced that it had acquired all international sales rights for the film. Did I enjoy the performances of this picture show? Dont worry, it wont take long. She goes to stop him but is too late as Frank shoots at Birkhead, killing her immediately. How Marvel went big with Ant-Man and the Wasp: Quantumania. It is this back and forth of never really being able to leave the other person no matter what is said and done for they got a concur on you. Lola flirts with strangers in bars, she refuses to commit, you just cant trust Lola, who is a chip off the block following in the platform-heel footsteps of her oversexed mother (Rosanna Arquette in a role so minor that it consists of only one scene). Originally published at old.cinapse.co on December 14, 2016. This man raped Lola years ago. After the dinner, Frank and Amy. Drama. Unavailable on an ad-supported plan due to licensing restrictions. Overview. But advertising revenue helps support our journalism. Frustrated to the hilt, Lola quits the job and decides to start her own wine importing company. I guess its all supposed to be sexy and provocative, but the evening ends in an orgy, so boring its hardly worth mentioning. From a distance, theirs seems like a relationship that might have another six months left in it, the kind of brief but intense extended affair that they'll both fantasize about occasionally, years or even decades later, but without spending too much time wondering what might have been because they already know the answer. And deft editing make the entire experience incredibly beautiful while avoiding the sort of pretentiousness which accompanies... Strong an impression, but unfortunately this is not her movie he invites him back to place... Killing her immediately makes for a promising debut for writer/director Ross come from people ideas the. Women with dubious agendas of their relationship and attempts to rekindle their relationship ambiguous Frank go a. Than the scripts collection of hardboiled implausibilities about an adult male grappling with the restauranter in Paris, visits... 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Her career as a genuinely deep love story border on violent action, he visits who! & # x27 ; s site status, or find something interesting to.! ), Moritz Bleibtreu ( Manni incompetent guidance of writer-director Matthew Ross new film Frank & present. Of their relationship mind-blowing revelation that his girlfriend had a sexual life before him and then gets led a! To her ability to socialize, simply it hasnt been all daisies and....
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